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Between the Pages and the Screen: the Essence of Native Son (1986)

Jane Thomper by Jane Thomper
March 13, 2025
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“Native Son” by Richard Wright is a groundbreaking novel that delves into the complex issues of race, poverty, and identity in America. First published in 1940, this powerful book has since been adapted into multiple film versions, each offering its own unique interpretation of the story.

In this article, we will explore the key differences between the original book and the 1986 movie adaptation directed by Jerrold Freedman, as well as the 2019 remake. Join me as we dive into the world of “Native Son” and discover how it has evolved from page to screen.

Book Summary

“Native Son” tells the story of Bigger Thomas, a young African American man living in poverty-stricken Chicago during the 1930s. Trapped in a world of systemic racism and economic despair, Bigger’s life takes a tragic turn when he accidentally kills a wealthy white woman named Mary Dalton.

As fear and paranoia consume him, Bigger tries to cover up his crime, but his actions only lead to further consequences. Richard Wright’s novel explores the psychological effects of racism and the human capacity for both violence and compassion.

Movie Summary

The 1986 film adaptation of “Native Son” stays fairly true to the novel’s storyline, capturing the gritty atmosphere of 1930s Chicago. Directed by Jerrold Freedman, the movie stars Victor Love as Bigger Thomas and Elizabeth McGovern as Mary Dalton.

The film’s cinematography effectively portrays the stark contrast between the poverty-stricken South Side of Chicago and the affluent white neighborhood where the Dalton family resides. While the movie captures the essence of the book, it does take some liberties with certain plot points and character development.

Understanding the Setting: When and Where the Story Takes Place

“Native Son” is set in Chicago during the 1930s, a time of racial tension, economic disparity, and social unrest. The Great Depression had plunged the nation into poverty, and racial segregation was still prevalent.

The novel and its film adaptations vividly depict the stark divide between the wealthy white communities and the poverty-stricken African American neighborhoods. By exploring the setting, we gain a deeper understanding of the challenges faced by the characters and the societal context that shapes their lives.

Getting to Know the Characters: A Who’s Who in “Native Son”

The characters in “Native Son” are complex and multi-dimensional, reflecting the diverse experiences of African Americans during this era.

Bigger Thomas, the protagonist, is a young man who becomes entangled in a web of violence and fear. Mary Dalton, the privileged white woman, symbolizes the ignorance and naivety of the upper class.

Other important characters include Bigger’s family members, friends, and the legal system that perpetuates injustice. By examining the cast of characters, we gain insight into the social dynamics and power structures at play in the story.

Memorable Quotes from “Native Son”

Richard Wright’s “Native Son” is filled with thought-provoking quotes that explore themes of racism, identity, and the human condition.

From Bigger’s internal struggle to societal commentary, these quotes encapsulate the raw emotions and profound insights of the book. One particularly powerful quote is, “I didn’t want to kill, but what I killed for, I am!” This line encapsulates Bigger’s sense of desperation and the impact of systemic racism on his life.

By analyzing these memorable quotes, we can better understand the deeper meanings embedded within the story.

Exploring the Soundtrack: James Mtume’s Contribution to the Film

Music plays a crucial role in setting the tone and enhancing the emotional impact of any film. In the 1986 adaptation of “Native Son,” James Mtume composed an evocative soundtrack that captures the essence of the story.

Mtume’s music blends elements of jazz, blues, and soul, creating a haunting and atmospheric backdrop for the film. By examining the soundtrack and its connection to the narrative, we can appreciate the power of music in enhancing the overall cinematic experience.

Curiosities and Fun Facts about “Native Son”

Beyond the story itself, “Native Son” holds a number of curiosities and fun facts that add to its intrigue. Did you know that the novel was initially met with controversy and censorship due to its explicit portrayal of violence and sexual themes? Or that Richard Wright himself starred in a stage adaptation of the book before it was made into a film? By exploring these curiosities and fun facts, we gain a deeper appreciation for the impact and legacy of “Native Son.”

Tips for Cosplay and Dressing Like the Characters from “Native Son”

For fans of “Native Son,” cosplay offers an exciting opportunity to bring the characters to life. Whether you want to emulate Bigger Thomas or channel the elegance of Mary Dalton, understanding the fashion and style of the 1930s is crucial. In this section, we will provide tips and inspiration for creating authentic costumes based on the characters from “Native Son.” From clothing to hairstyles, we’ll guide you through the process of stepping into the world of this powerful story.

Richard Wright: A Biography and Overview of His Other Works

To fully appreciate “Native Son,” it is important to understand the life and career of its author, Richard Wright. In this section, we will delve into Wright’s biography, exploring his early years, his experiences with racism, and his literary contributions. We will also take a look at some of Wright’s other notable works, such as “Black Boy” and “The Outsider,” to gain a broader perspective on his impact as a writer and social commentator.

Explaining the Ending of “Native Son”

The ending of “Native Son” has sparked much discussion and interpretation among readers and viewers. In this section, we will analyze the conclusion of the book and the two film adaptations, exploring the different ways in which they approach and interpret the ending. By delving into the nuances of the conclusion, we can gain a deeper understanding of the message and themes that Richard Wright intended to convey.

Comparing the Original Film and the 2019 Remake

In 2019, “Native Son” was once again adapted for the screen, this time directed by Rashid Johnson. This modern retelling of the story introduces new elements and perspectives while maintaining the core themes of the original book. In this section, we will compare the 1986 film adaptation with the 2019 remake, exploring the similarities and differences in their approach to storytelling, character development, and social commentary. By examining these two versions side by side, we can gain a deeper appreciation for the evolution of “Native Son” as a cinematic work.

Other Works that Explore Similar Themes to “Native Son”

“Native Son” tackles themes of race, poverty, and identity that remain relevant today. In this section, we will explore other works of literature and film that delve into similar themes.

From classics like “To Kill a Mockingbird” to contemporary works like “The Hate U Give,” we will examine the broader context in which “Native Son” exists and the conversations it continues to spark.

Planning a Trip to Visit “Native Son” Film Locations: A Travel Guide

For avid fans of “Native Son,” embarking on a journey to visit the film locations can be a thrilling experience. In this section, we will provide a travel guide for planning a trip to the places featured in the movie adaptations of “Native Son.”

From Chicago’s South Side to the neighborhoods where the Dalton family lived, this guide will help you navigate the locations and immerse yourself in the world of the story.

Conclusion

“Native Son,” both as a book and a film, continues to captivate audiences with its raw portrayal of racial injustice and societal inequality. By examining the key differences between the original book and its various film adaptations, we gain a deeper appreciation for the evolution of the story and its enduring impact.

Whether you are a fan of the novel, a cinephile, or simply interested in exploring the complexities of the human experience, “Native Son” offers a profound and thought-provoking journey.

Tags: DramaElizabeth McGovernGeraldine PageJames MtumeJerrold FreedmanMatt DillonMovies based on booksOprah WinfreyRichard WrightRomanceVictor Love
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Jane Thomper

Jane Thomper

Hi there! I'm Jane Thomper, and I'm thrilled to be your go-to movie expert. With a genuine passion for all things film-related, I've dedicated my life to exploring the captivating world of cinema. From an early age, movies held a special place in my heart. The way they transported me to different worlds, evoked emotions, and sparked my imagination left an indelible mark. It was no surprise that I decided to pursue a degree in Film Studies, where I deepened my understanding of the art and craft of filmmaking. Throughout my academic journey, I delved into the rich history of cinema, analyzing groundbreaking films and studying the techniques used by master storytellers. From silent classics to contemporary blockbusters, I've explored a vast array of genres and styles, developing a keen eye for detail and an appreciation for the nuances that make each film unique. But my expertise extends beyond the theoretical. I've also immersed myself in the practical side of the industry, gaining hands-on experience in various aspects of movie production. This firsthand knowledge has given me a comprehensive perspective on the collaborative efforts required to bring a vision to life on the silver screen. Now, as a seasoned movie critic and writer, I'm thrilled to share my insights and recommendations with you. Whether you're seeking thought-provoking analysis, in-depth reviews, or expert recommendations, I'm here to provide you with engaging and informative content that will enrich your movie-watching experience. So, join me on this cinematic journey as we explore the captivating world of film together. Let's dive into the magic of storytelling, unravel hidden gems, and celebrate the power of movies to entertain, educate, and inspire.

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